|
Date
|
Title
|
Medium
|
Comments
|
|
|
|
|
| 2007 |
A Stream |
violin solo |
First Performance April 23, 2007 by Mary Rowell, Tribeca New Music Festival, NY. |
| 2006 |
Remembering Home |
Video with digitally processed electric banjo soundtrack. |
for Vox Novus's 60x60 Festival |
| 2003 |
Anon a Mouse |
animal sounds, recorded, edited, processed |
Ooppera with Squeakbretto for Yuccatree Records, Bern |
| 2002 |
Current Events |
MIDI-controlled synthesis, samplers and digital signal processing |
score for David Ehrlich’s film Current Events |
| 2001 |
New York November 2001 |
for 5-string banjo solo in G Modal tuning |
Premiered by Seth Josel, Viena |
| 2001 |
Conversational Paws |
recorded processed dog sounds |
Released on cd "The P-ART Project - 12 Portraits", P-ART Belgium, 2001 |
| 1999 |
Lift Off |
electronic music with accompanying text and several computer art and scanned hand-drawn images |
on cd-interactive/cd-rom "Enhanced Gravity", Yucca Tree Records, Berne, Switzerland (previously played as "Lyric on Pattern Six") |
| 1994 |
Semper Mutans |
video installation |
|
|
1990
|
A Musette
|
for harpsichord, piano, or other keyboard
|
|
1990
|
Soundtrack for Sandin
|
mixed synthesis, sampling, and signal processing techniques
|
soundtrack for computer animated video "A Volume of Three Dimensional Julia Sets"; by Dan Sandin, available on cd in "Miniatures 2"
|
| 1990 |
Three Movements for Classic Guitar |
guitar solo |
2nd mvt previously premiered with additional electronic part as "For MIDI Guitar" ; 3rd movement previously titled "Fantasy on a Theme from Duarte's "English Suite"
|
|
1990
|
Continuous Transformations
|
Macintosh, MIDI, mixed synthesis and signal processing techniques
|
soundtrack for computer generated film by Robert MacDermott and Haresh Lalvani
|
|
1990
|
Three Movements for Harpsichord
|
for French Double Harpsichord
|
commissioned and premiered by Barbara Cadranel (retitled Prelude, Ayre, and Toccata 1991)
|
|
1990
|
Sound Zones
|
Music Mouse, MIDI, FM synthesis, DSP, digital editing
|
Available on Unseen Worlds cd
|
|
1990
|
Two Intellectual Interludes (Data and Process): A Strand Of Life ("Viroid") and From A Harmonic Algorithm
|
C language, Macintosh, MIDI, FM synthesis
|
Available on Unseen Worlds cd
|
|
1990
|
Two Archetypes: Hall of Mirrors, Hurricane's Eye
|
Music Mouse, MIDI, FM, DSP, digital processing and editing
|
Available on Unseen Worlds cd
|
|
1990
|
Riding The Storm
|
Music Mouse, MIDI, FM, digital processing and editing
|
Available on Unseen Worlds cd
|
|
1990
|
Sound Zones
|
Music Mouse, MIDI, FM, digital processing and editing
|
Available on Unseen Worlds cd
|
|
1990
|
The Hollows
|
Music Mouse, MIDI, FM, digital processing and editing
|
Available on Unseen Worlds cd
|
|
1990
|
Fantasy on a Theme from Duarte's "English Suite"
|
for classic guitar
|
|
1989
|
Three Sonic Spaces
|
Music Mouse, MIDI, FM, signal processing and editing
|
Available on Unseen Worlds cd
|
|
1988
|
Finding Voice
|
Music Mouse, MIDI, FM, DSP
|
Available on Unseen Worlds cd
|
|
1988
|
Returning East and After the Mountains
|
for piano
|
|
1988
|
Dryads
|
mixed computer techniques, MIDI, FM, DSP
|
score for David Ehrlichs’s film Dryads
|
| 1988 |
Motives |
Macintosh computer, MIDI, C compiler, FM synthesizer |
open-form listener-variable algorithmic music generation process piece; premiered at SCAN Festival, Phildelphia |
| 1988 |
AMO - A Musical Offering |
Macintosh computer, MIDI, C compiler, FM synthesizer |
open-form listener-variable algorithmic music generation process piece; recoding of process used to create "A Harmonic Algorithm" for Apple II computer in 1981; premiered at Composer-to-Composer Festival, Sheridan Opera House, Telluride, CO |
|
1987
|
Passage
|
Macintosh and Amiga computers, MIDI, FM, signal processing
|
Available on Unseen Worlds cd
|
|
1987
|
An Arpeggio Study
|
Emu Emulator II plus computer editing
|
|
1987
|
Lyric For MIDI Guitar
|
for classic guitar with computer interface
|
First performance by Francis Perry, classic guitar. Commissioned by Kamen-Takamine.
|
|
1986
|
Cavis Muris
|
Music Mouse, MIDI, FM synthesis, digital signal processing
|
Available on cd from Centaur/CDCM
|
|
1986
|
Music for Signals
|
Music Mouse, MIDI, FM, DSP
|
dance score for the Kathryn Posin Dance Company
|
|
1986
|
MusicMouse Demonstration Music
|
MusicMouse, MIDI, FM
|
twelve computer-assisted improvisations
|
|
1985-86
|
A Prelude and A Counterpoint
|
for piano
|
|
1985-86
|
Music Mouse - An Intelligent Instrument
|
interactive generative musical process
|
for Macintosh, Amiga, Atari ST computers
|
|
1986
|
Dissipative Fantasies
|
McLeyvier
|
score for David Ehrlichs’s film Dissipative Fantasies
|
|
1985
|
Rain Pieces
|
McLeyvier
|
dance score for David Woodberry
|
|
1985
|
Gravity's Joke
|
McLeyvier
|
dance score for David Woodberry
|
|
1984
|
A Stream
|
for mandolin
|
|
1984
|
A Cyclic Score
|
for piano or two solo line instruments
|
|
1984
|
Over Time
|
McLeyvier
|
dance score for the Rachel Harms Dance Company
|
|
1984
|
Point
|
McLeyvier
|
score for David Ehrlich’s film Point
|
|
1983
|
Precious Metal Variations
|
McLeyvier
|
score for David Ehrlich’s film Precious Metal Variations
|
|
1983
|
(untitled short movement)
|
for two classic guitars
|
|
1983
|
(2 untitled short movements)
|
for classic guitar
|
|
1983
|
Immersion
|
McLeyvier
|
|
1983
|
Harmonic Rhythms
|
McLeyvier
|
|
1983
|
Idea Pieces
|
various computer systems
|
|
1983
|
Hearing Things
|
for chamber orchestra
|
commissioned and premiered by Mostly Modern, San Francisco
|
|
1982-3
|
Three Modal Pieces: A Cosmos, A Legend, A Myth
|
McLeyvier
|
computer controlled analog synthesis
|
|
1982
|
(untitled, based on Winter Energy)
|
for piano
|
|
1982
|
A Twelve Tone Blues
|
for piano
|
canon in retrograde inversion
|
|
1982
|
A Modal Retrograde
|
for piano
|
version for string quartet 1984
|
|
1982
|
Two Short Cyclic Scores
|
for piano
|
|
1982
|
Three Movements on Descending Scales
|
for piano
|
|
1982, 90
|
Fughetta
|
for piano
|
|
1982
|
A Fantasy
|
for piano
|
|
1982
|
Progression
|
computer-generated music
|
|
1982
|
Unicorn
|
Apple II with alphaSyntauri system
|
film score for Carol Dysinger
|
|
1981, 84
|
Three Chromatic Retrogrades
|
for piano
|
#3 arr. for string quartet 1984
|
|
1981
|
A Harmonic Algorithm
|
Apple II with Mountain Hardware boards
|
|
1981
|
Nomads
|
Apple II computer with ALF system and Eventide HM80
|
|
1981
|
After Clementi
|
for piano
|
|
1981
|
A Paraphrase
|
for piano
|
|
1981
|
Winter Energy
|
for piano
|
|
1980
|
Phantoms
|
for chamber ensemble with analog electronic tape (Electrocomp)
|
|
1980
|
A Canon
|
for chamber ensemble with Apple II
|
|
1980
|
A History Of Music In One Movement
|
for piano
|
version for Apple II computer 1981
|
|
1980
|
A Quadruple Canon
|
Apple II computer with ALF system and Eventide HM80
|
|
1980
|
The Phantom Wolf
|
Electrocomp synthesizer, lute, guitar, banjo, harmonica, bamboo flute
|
film score
|
|
1980
|
Modes
|
Apple II computer with ALF system and Eventide HM80
|
|
1980
|
Two Nocturnes
|
electronics and tape manipulation
|
|
1980, 90
|
An Album Leaf
|
for piano
|
|
1979
|
Contraries
|
for piano, computer realization on Apple II with Mountain Hardware boards
|
|
1979
|
Time Clock for
|
piano, computer realization on Apple II with Mountain Hardware synthesis
|
|
1979
|
Voices Within: A Requiem
|
Electrocomp and classic tape techniques
|
|
1979
|
A Living Painting
|
VAMPIRE system, silent visual study
|
videotape
|
|
1979
|
An Isorhythmic Double Canon
|
versions for piano, string quartet
|
|
1979
|
Song Without Words
|
for theremin and classic guitar
|
version for mandolin and classic guitar 1986
|
|
1979, 90
|
A Prelude
|
for classic guitar
|
versions for piano solo, for string quartet, for saxophone with synthesizer
|
|
1979
|
After Sor (or Guitar Study)
|
for classic guitar
|
|
1979
|
After Dowland
|
for classic guitar
|
|
1978
|
Zierot In Outta Space
|
mixed analog electronics, concrète sounds, and banjo
|
soundtrack for video by Tom DeWitt
|
|
1978
|
Voyages
|
VAMPIRE system, computer co-generated music and video
|
|
1978
|
A Short Canon
|
for classic guitar or piano
|
|
1978
|
An Acceleration
|
GROOVE
|
algorithm for perception illusion of continuous acceleration done in collaboration with Dr. Kenneth Knowlton, Bell Labs
|
|
1977
|
Evolutions
|
VAMPIRE system, computer-generated music and images
|
videotape
|
|
1977
|
Five Short Visits to Different Worlds
|
various analog and digital media
|
|
1977
|
Concerto for Self-Accompanying Digital Synthesizer
|
C language, Hal Alles realtime digital synthesizer
|
Watch Video: 8 Meg RealPlayer or 14 Meg QuickTime Movie
|
|
1977
|
Guadalcanal Requiem
|
GROOVE, concrète, cello, mixed media
|
soundtrack for video by Nam June Paik
|
|
1977
|
Kepler's "Harmony Of The Planets"
|
computer realization of Kepler treatise
|
| 1977 |
Escalante |
mixed analog electronic techniques |
dance score for David Woodberry |
| 1976 |
A Folk Study |
GROOVE system |
| 1976 |
Music For A Garden Of Electronic Delights |
musique concrète |
sound for video installation by Bill and Louise Etra |
| 1976 |
East River |
GROOVE system |
dance score for David Woodberry; a.k.a. "East River Dawn" |
| 1976 |
A Voyage |
GROOVE system |
| 1976 |
Narcissicon |
|
soundtrack for video by Marsha Rock |
| 1976, 90 |
a la rechèrce du temps perdu |
piano |
| 1975 |
Music For Dance |
GROOVE system |
dance-video score/soundtrack for Doris Chase |
| 1975 |
Waves |
for nine instruments and GROOVE-generated tape |
dance score for the Kathryn Posin Dance Company (American Dance Festival Commission) |
| 1975 |
Old Wave |
GROOVE system |
| 1975 |
Clockworks |
GROOVE system |
| 1975 |
Drums |
GROOVE system |
| 1975 |
Just A Day In The Life... |
Electrocomp, banjo, processed recorded sounds |
soundtrack for video by Tom DeWitt |
| 1975 |
Raster's Muse |
|
video soundtrack |
|
1975
|
A Study
|
classic guitar
|
|
1975
|
Emma
|
mixed techniques
|
film score for Jean-Pierre Mahot
|
1975
|
Das Ring
|
GROOVE and Rutt-Etra video synthesizer
|
computer-controlled audio and video synthesis
in collaboration with Bill Etra,
|
|
1975
|
The Expanding Universe
|
GROOVE system
|
available on the LP The Expanding Universe
|
|
1974
|
The Devils
|
Electrocomp
|
incidental music for theater
|
|
1974
|
Cathode Ray Theater
|
Electrocomp synthesizer
|
soundtrack for video by Tom DeWitt
|
|
1974
|
Studies For Philharmonia
|
Electrocomp, Rutt-Etra, Paik-Abe, and other audio and video synthesizers
|
audio-controlled video synthesis in collaboration with Tom DeWitt, Phil Edelstein
|
|
1974
|
Zierot The Fool
|
Electrocomp
|
soundtrack for video by Tom DeWitt
|
|
1974
|
War Walls
|
Electrocomp and musique concrète
|
soundtrack for video by Tom DeWitt
|
|
1974
|
War Mime
|
Electrocomp and musique concrète
|
soundtrack for video by Tom DeWitt
|
|
1974, 76
|
Patchwork
|
GROOVE system
|
available on the LP The Expanding Universe
|
|
1974
|
Pentachrome
|
GROOVE system
|
available on the LP The Expanding Universe
|
|
1974
|
The Orient Express
|
GROOVE system
|
|
1974
|
The Unquestioned Answer
|
GROOVE system
|
versions for computer, for piano, for harp with synchronous live computer graphics 1981, and released on the cd Cocks Crow, Dogs Bark: New Compositional Intentions (Leonardo Music Journal CD Series Volume 7 - ISAST 7) performed by Kyoko Hawley, piano solo
|
|
1974
|
Appalachian Grove
|
GROOVE system
|
computer controlled analog synthesis
|
|
1974
|
A Meditation
|
analog electronics
|
|
1974
|
Water Music
|
musique concrète
|
|
1974
|
A Tablature Study
|
classic guitar
|
|
1973
|
The House of Bernarda Alba
|
Electrocomp
|
incidental music for the play by Garcia Lorca
|
|
1973
|
The Clinic
|
Electrocomp
|
incidental music for theater
|
|
1973
|
Purification
|
analog electronic music
|
|
1973
|
Étude
|
classic guitar
|
|
1973
|
Two Fanfares
|
Buchla modular synthesizer
|
|
1973
|
Introit
|
musique concrète
|
|
1973
|
Sunsets
|
electronic music
|
|
1972
|
Return To Zero
|
Moog modular synthesizer
|
|
1972
|
White Devil
|
Electrocomp
|
incidental music for theater
|
|
1972
|
The Library Of Babel
|
Electrocomp
|
incidental music for theater
|
|
1972
|
A Prelude and A Ponderous Passacaglia
|
classic guitar
|
Apple II realization of Prelude 1979 retitled Destiny
|
|
1972
|
Sediment
|
Electrocomp synthesizer
|
|
1972
|
Raga
|
Electrocomp synthesizer
|
|
1972, 81
|
An Earlier Time
|
for classic guitar
|
computer realization on Apple II with Mountain Hardware boards 1979
|
|
1968-72
|
Four Movements
|
classic guitar
|
|
1971
|
Harmonic Spheres
|
Buchla synthesizer
|
|
1971
|
Mines
|
Buchla synthesizer
|
|
1971
|
Before Completion
|
Buchla synthesizer
|
|
1971
|
Sojourn
|
Buchla synthesizer
|
|
1971
|
A Tombeau
|
Buchla synthesizer
|
|
1971
|
Orchestras
|
Buchla synthesizer
|
|
1971
|
Three English Gardens: Afternoon, Evening, and Night
|
Buchla synthesizer
|
|
1971
|
Three Motets in Sixteenth Century Style
|
a capella voices
|
|
1971
|
A Deploration
|
flute and guitar, version for flute and vibraphone
|
|
1970
|
Passacaglia
|
classic guitar
|
|
1968
|
Five Easy Pieces
|
classic guitar
|
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